《不再》：【不「再」而非不「在」，歷經科技更迭汰換、文化被遺忘，剩下的文物是被動創作的。

在如此矛盾的命題之下，藝術創作不再是我們所熟悉的樣態，嘗試將時間軸橫跨過往、現在與將來，以「不再」為主張進行減法，銘刻那些僅存在於此時此刻或已湮滅於過往的存在。

這之間從不是對立關係，而是一種過渡的雙向關係。我們所遭遇的事物並非快速掠過我們眼前；相反的，我們經驗並且探詢著種種問題。無論是批判過去或與未來合流共創未知，都意味著這個世代的一切事物正在「不斷的進行」、「不斷的逝去」與「不斷的存在」。

此次展覽以錄像、雕塑裝置、AR等科技手法創作，科技重塑了我們對於記憶、意識、感受的紀錄方式，重現或者塑造出其議題與世界，讓不同時空的「我們」能在這個場域相遇與對話。】-黃姿婷 策展人

Never again isn’t exactly not here. Advances in society, what was emerging tech is now relegated to legacy culture relics. Recreation of what is left is passive. In this contradictory curated theme, art creation is not what we are familiar with. Exploration in time, forever constrained creation by deduction. “Never Ever Again” is the negative space not of the canvas, but of the past and non-existence. This act is not polar in nature, but a natural progression of life. Life can flash fast or if we slow down, there are many unanswered questions. Whether it＆#039;s a critique of the past or peeking into the future, we cannot stop time. Things act, and decay away, thus its existence took place. Various technologies were demonstrated in this show. Including videos, sculptic installations, painting and AR. These technologies or techniques usd shape our documentations of our memories, consciousness, and emotions. Our discussions of them, bring together this encounter in time and on time.

參展藝術家
楊博倫、陳韻至、蔡采倫、謝雨庭
黃姿婷、丁浩益、林安祈、林安頡